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The Stones of Venice

John Ruskin

Social criticism / art and political economy

It bridges art criticism and political economy, and its chapter on the nature of Gothic became a founding text for critiques of industrial labor.

Synopsis

A study of Venetian architecture that becomes social criticism, linking the dignity of Gothic craft to the freedom and morality of its workers.

Core passage idea

Paraphrase · Public domain

The roughness of Gothic work is a virtue because it sprang from free craftsmen, whereas mechanical perfection enslaves the worker by denying him thought and joy in labor.

It judges art and economy together, treating how a society lets people work as a measure of its moral health.

To avoid a bubble

Pair with Adam Smith, The Wealth of Nations.

Reading note

Read 'The Nature of Gothic' chapter for the political argument; the wider work is sprawling Victorian art history.

Best paired with

Adam Smith, The Wealth of Nations

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